By Rebecca Cantrell

Journalist Hannah Vogel returns in A online game of Lies by means of award-winning writer Rebecca Cantrell

In guidance for the 1936 Berlin Olympics, the Nazis have rid the streets of anti-Semitic fabric and different propaganda, and current a peace-seeking face to the area. Journalist and part-time secret agent for the British, Hannah Vogel, shudders to think about what lies lower than the transitority coat of gloss.

Posing as trip reporter Adelheid Zinsli and lover of SS officer Lars Lang, Hannah has been amassing Nazi secrets and techniques from Lang and smuggling them again to Switzerland. sought after by means of the SS, her commute out and in of Germany has consistently been fraught with chance, yet this journey is principally treacherous.

Surrounded through former colleagues who may possibly determine her, Hannah attempts to maintain a low profile whereas reporting at the video games as Adelheid. Her dating with Lang will get extra complex as he sinks into alcoholism; the whispers she hears approximately his paintings within the SS supply her chills. Whose facet is he on?

Hannah is of the same opinion to fulfill her mentor, Peter Weill, on the Stadium, yet earlier than he can display details that might divulge the Nazis, he dies in entrance of her. Hannah suspects poison.
Hannah needs to become aware of who killed Weill and get his mystery package deal in another country earlier than the Olympics finish and the Nazis tighten their noose…and sooner than her real identification is printed. And her accomplice could be the very one approximately to

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Extra resources for A Game of Lies (Hannah Vogel, Book 3)

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1 40 Steinhausen, Geschichte des deutschen Briefes, pp. 46, 98 and 103-04; Baldwin, Medieval Rhetoric and Poetic, pp. 216-23. 141 Mertens, Konstanzer tar, Minnelehre, pp. 106-07; Wiessnzr,Kommen­ pp. 105-06. 142 Plate, "Narren- und Ständesatire," pp. 62-63; cf. also Lewis, Allegory of Love, pp. 174-75, and Scholes and Kellogg, Nature of Narrative, pp. 109-11. Geiß1er, B r a u t w e r b u n g , p. v. Keller, Fastnachtspiele, nos. 37 and 57. ' Glancing back over the courtship episodes that concluded with such left-handed success, we have come to recognize and appreciate a good number of the narrative techniques and subtleties that are char­ acteristic for Wittenwiler.

Legislation of the 4th Lateran Council (1215) sought to prohit clandestine marriages only. Regional synodal statutes FESTIVAL AND FICTION IN WITTENWILER'S RING 44 authorized, to announce the exchange of vows and to inquire into bind­ ing impediments. A prior commitment is suddenly charged by a tottering hag and the place of worship is irreverently turned into a burlesque forum before which the plaintiff fails to properly delouse the pants taken off by the jeering groom. " (V. ). The boisterous wedding party then leaves church to the tune of the bagpipe and gathers in front of the groom's house for the custom­ ary presentation of gifts.

124 Hügli, Der deutsche Bauer, p. 101; Boesch, "Phantasie," pp. 51-52. Interestingly enough, the devil bears the name Nîthart in an 11th century legend. Cf. Jacob Grimm, Deutsche Mythologie, ed. H. , 3 vols. (1875-78: rpt. Darmstadt: Wissenschaftliche Buchgesellschaft, 1965), III, 298; Leopold Schmidt, Das deutsche Volks­ schauspiel: Ein Bandbuch (Berlin: E. Schmidt, 1962), p. 312. 125 Cf. Schlaffke, Komposition und Gehalt, p . 25, fn. 8; Gaier, Satire, p. 172. Friedmar Geißler, Brautwerbung in der Weltliteratur (Halle/ Saale: M.

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